DIE SCHÖNE MÜLLERIN, D. 795

Composer(s): Franz Schubert

Artist(s): Jasper Schweppe, Riko Fukuda
Reference: KTC1653
Barcode: 8718011590824
Format: 1 CD
Release date: 2019-05-10
SKU: KTC1653 Categories: , ,

€ 21,50

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The music of Schubert breathes the romance of its day, and wakes in me a yearning for that timeless time. A time without neon lights and without the roar of motorways. A time in which we took the silence for granted, and every noise was a noise of man or beast. The silence in which music could sound only if it were played there and then. How I would love to have heard how Schubert, with a guitar or fortepiano, performed his own songs…

  In my performance, I try to reach as near as I can to Schubert’s intention, by thinking not so much from a bel canto perspective as from declamation of the text. I try to escape today’s manner of singing by approaching his songs from the 18th century. To come as close as possible to the source, the choice was also made in our Winterreise recording to use a fortepiano from the time of the composer. We decided on an instrument from the Graf workshop, which was established in the street where Schubert lived.

In this recording I enjoyed the help of a brilliant team. My thanks go to Riko Fukuda for her inspiring playing and her patience. To Edwin Beunk for his hospitality and for the use of his stunning Graf piano from 1824. To engineer Jan Steenbeeke and recording directors Eugeen Liven d’Abelardo and Marius van Altena. And of course the warmest thanks to those who made the recording financially possible.

Jasper Schweppe

1. Das Wandern, in B-Flat Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

2. Wohin, in G Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

3. Halt!, in C Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

4. Danksagung an den Bach, in G Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

5. Am Feierabend, in A Minor
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

6. Der Neugierige, in B Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

7. Ungeduld, in A Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

8. Morgengruss, in C Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

9. Des Müllers Blumen, in A Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

10. Tränenregen, in A Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

11. Mein!, in D Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

12. Pause, in B Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

13. Mit dem grünen Lautenbande, in B-Flat Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

14. Der Jäger, in C Minor
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

15. Eifersucht und Stolz, in G Minor / G Major)
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

16. Die liebe Farbe, in B Minor
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

17. Die böse Farbe’, in B Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

18. Trockne Blumen, in E Minor
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

19. Der Müller und der Bach, in G Minor / G Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

20. Des Baches Wiegenlied, in E Major
Composer: Franz Peter Schubert
Artist(s): Jasper Schweppe, Riko Fukuda

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DIE SCHÖNE MÜLLERIN, D. 795
€ 21,50
Listen on your favorite streaming service:Spotify IconSpotify
Listen on your favorite streaming service:Spotify IconSpotify

The music of Schubert breathes the romance of its day, and wakes in me a yearning for that timeless time. A time without neon lights and without the roar of motorways. A time in which we took the silence for granted, and every noise was a noise of man or beast. The silence in which music could sound only if it were played there and then. How I would love to have heard how Schubert, with a guitar or fortepiano, performed his own songs…

  In my performance, I try to reach as near as I can to Schubert’s intention, by thinking not so much from a bel canto perspective as from declamation of the text. I try to escape today’s manner of singing by approaching his songs from the 18th century. To come as close as possible to the source, the choice was also made in our Winterreise recording to use a fortepiano from the time of the composer. We decided on an instrument from the Graf workshop, which was established in the street where Schubert lived.

In this recording I enjoyed the help of a brilliant team. My thanks go to Riko Fukuda for her inspiring playing and her patience. To Edwin Beunk for his hospitality and for the use of his stunning Graf piano from 1824. To engineer Jan Steenbeeke and recording directors Eugeen Liven d’Abelardo and Marius van Altena. And of course the warmest thanks to those who made the recording financially possible.

Jasper Schweppe