Masters from Flanders
Polyphony from the 15th and 16th century
- Giovanni de Macque (1548/50-1614)
- Adriaen Willaert (c.1490-1562)
- Cypriano de Rore (c.1515-1565)
- Giaches de Wert (1535-1596)
- Philippe Rogier (c.1561-1596)
- Georges de la Hèle (1547-1586)
- Gerard van Turnhout (c.1520-1580)
- Pierre de Manchicourt (c.1510-1564)
- Mateo Romero (c.1575-1647)
- Orlandus Lassus (1532-1594)
- Ivo de Vento (1543/45-1575)
- Johannes de Fossa (c.1540-1603)
- Balduin Hoyoul (1547/8-1594)
- Tielman Susato (c.1510/15-c.1570)
- Anonymus
- Jheronimus Venders (working 1510-1550)
- Pierre de la Rue (c.1452-1518)
- Clemens Non Papa (c.1510-1555/56)
- Pierre Phalèse c.1510-1575)
- Nicolas Liégois (c.1480-1533)
- Heinrich Isaac (c.1450-1517)
- Cornelis Boscoop (c.1525/31-1573)
- Ludovicus Episcopius (c.1520-1595)
- Philippus de Monte (1521-1603)
- Jacobus Vaet (c.1529-1567)
- Alexander Utendal (c.1543-1581)
- Alexander Utendal (c.1543-1581)
- Jacob Regnart (1545-1599)
- Arnold von Bruck (c.1500-1554)
- Carolus Luython (1557-1620)
- Lambert de Sayve (1549/49-1614)
- Nicolaas Gombert (c.1495-1560)
- Clemens non Papa (c.1510-1555/56)
- Thomas Crecquillon (1505/15-1557)
- Jacob Obrecht (c.1457/8-1505)
- Heinrich Isaac (c.1450-1517)
- Pierre de la Rue (c.1452-1518)
- Josquin Des Prez (c.1450-1521)
- Loyset Compère (c.1445-1518)
- Johannes Ockeghem (c.1410/20-1497)
- Antonius Divitis (c.1470-c.1530)
- Johannes Prioris (c.1460-c.1514)
- Antoine de Févin (c.1470-1511/12)
- Guillaume Dufay (c.1400-1474)
- Antoine Busnois (c.1430-1492)
- Gilles Binchois (c.1400-1460)
- Alexander Agricola (1446-1506)
This set of 10 CDs offers a representative anthology of polyphonic compositions dating from the 15th and 16th centuries, a time when the Low Countries by the Sea played a major part in Western European music. Far across the borders the Fiamminghi were trendsetters in composition, singing and music tuition. They marked both religious and secular polyphonic music with their personal stamp, setting the norm internationally and finding followers everywhere. Kings, princes and dukes, popes, cardinals and bishops vied with each other in attracting the best Flemish polyphonists at their prestigious Renaissance courts. Unique and dazzlingly illuminated manuscripts as well as more mass-produced music prints ensured a wide distribution of the highly-praised art of these Flemings. Their virtuosic composition techniques were legendary. In a European context, their music's expressive power became one of its strongest assets. Through its intrinsical musical qualities and incomparable expressive power, Renaissance polyphony can also lead listeners of today to an aesthetic experience of the highest calibre. Unfortunately we were not able to include all the song texts with English translation inside the booklet. We have made those available for download on this website. Adriaan Willaert and Italy When Adriaan Willaert, a Fleming who lived from c.1490 to 1562, was appointed maestro di cappella of St. Mark’s in Venice in 1527, that city had already acquired European fame as cradle of polyphonic music printing, but it was not yet the leading centre of an international music culture. This happened during Willaert’s 35 years as leader of the vocal ensemble there. A group of likeminded pupils was formed around him, mainly Italians and Flemings, known as the Venetian School. Willaert’s efforts in promoting instrumental music were also rewarded. In Naples, for example, the madrigalist Giovanni de Macque – as organist – wrote valuable keybord music (canzonas, cappricios), in which the counterpoint referred to vocal music. Philippe Rogier and Spain From emperor Maximilian I onwards, the Habsburg courts were first-class centres of music where Flemish polyphonists found ideal working conditions. Charles V, the first representative of the Spanish branch of the Habsburgs, had his own capilla flamenca, consisting exclusively of Flemings. His son and successor as king of Spain, Philip II, inherited this excellent t group of singers and composers. His successive maestros de capilla were Nicolas Payen, Pierre de Manchicourt, Jean de Bonmarché, Gerard van Turnhout, Georges de la Hèle and Philippe Rogier. Orlandus Lassus Lassus’s European fame stems partly from his versatility, and partly from the high quality of his work. He is generally known as the composer of some recurring ‘hits’, however these are youthful exercises and they do not reveal the real Lassus. He was perfectly at home in all genres of vocal music which he enriched with a lot of immortal masterpieces. Apparently he was able to adapt himself effortlessly to any language. He was unequalled in his emphatic approach to texts and a master in bringing words and music together. 16th Century Songs and Dances from Flanders The year 1551 is a memorable date in the history of Flemish music. That is when the Antwerp music publisher Tielman Susato published three music books (Musyck boexkens), two with polyphonic love songs in Dutch and one with instrumental dance music. Together with some later publications by Jacob Baethen in Maastricht and by Pierre Phalèse in Leuven (Louvain), they form the main source for this vocal and instrumental repertoires in the Southern Low Countries. The anthology of songs and dances recorded here offers a varied and fascinating picture of the 16th century bourgeois musical culture. Among the notable exceptions in the irresistible song by Pierre de la Rue, Mijn hert altijt heeft verlanghen, a melancholic courtly song that has survived Margaret of Austria’s famous chansonnier. Philippus de Monte and the Habsburgers The most dedicated patrons of Flemish polyphony during the 16th century were without doubt the Habsburgs. Both the Austrian and the Spanish branches of the family recruited their maîtres de chapelle and their singers from the Low Countries. Charles V and later Philip II had their own special ’capilla flamenca’. The Austrian emperors – from Ferdinand I who succeeded his brother Charles V in 1556 to Matthias II who inherited the throne in 1612 – invariably chose misicians from the Southern Netherlands to lead their Kapelle. Their places of recidence were Vienna and Prague, while archduke Ferdinand II, emperor Maximilian’s brother, also kept a Kapelle in Innsbruck, again with a Flemish polyphonist as Kapellmeister. Nicolaas Gombert and the Court of Charles V Laying aside the politics of Charles V and Philip II in the Low Countries, one charasteristic pleading in their favour was their great love for Flemish polyphony. Two figures at the centre of Charles V’s court were Nicolas Gombert and Thomas Crequillon. Gombert’s generation witnessed the growth of music printing internationally. Flemish as well as foreign publications, including Venetian, helped to distribute their music. It is not surprising therefore that Gombert’s influence was far from limited to the Low Countries and Spain. In Rome, for example, Palestrina was also impressed by the brillant contrapuntal interplay of lines displayed in Flemish polyphony, which was once more felt to set the norm for the further evolution of 16th century music. Isaac, Obrecht, de la Rue Heinrich Isaac, ‘de Flandria’ can be considered the founder of Flemish polyphony in Germany. Starting as a singer in Florence, where he was in close contact with Lorenzo de Medici ‘Il Magnifico’, he was appointes court composer in 1496 to emperor Maximilian I, the political and cultural heir of the Burgundian dukes. Jacob Obrecht of Ghent left numerous polyphonic instrumental arrangements of songs with Flemish texts. His talent is exemplified by the apparent ease with which he composed. Pierre de la Rue takes a position between the ‘old’ and the ‘new’ composers of the time, and he was the favourite composer of Margaret of Austria, governess of the Low Countries. The most remarkable quality of these great masters of polyphony is that the most complex technical tours de force never seem to hinder the free development of the melody, whose inexhaustible richness guarantees a restrained expressivity without equal. Josquin des Prez The unequalled artistry of Josquin des Prez (ca.1440-1521) has been compared to that of Michelangelo and it is true that his innovative approach to music opened the doors wide to the Renaissance, to a polyphony ‘cut to human size’, without however throwing overboard all the technical attainments of the past. Polyphonic music remained first and foremost a logical and coherent sound construction but at the same time this world of sound became impregnated with an emotional quality appealing directly to the heart; a quality so far unheard of. Besides many particularly succesful mass cycles, Josquin composed mainly motets and chansons. He was the first composer for whom the motet became the principal genre in religious misic. For those looking for music of very high quality, rich in contrasts, skilfully constructed as well as emotionally convincing, great satisfaction will be found in the music of Josquin des Prez, the ‘princeps musicae’, the first in the art of music. Johannes Ockeghem and France For about forty years, from 1452 until the 1490s, Johannes Ockeghem worked for the French Royal court which had gradually begun to recover after the Hundred Years’ War (1337-1453). Josquin des Prez called Ockeghem affectionately ‘Nostre maistre et bon père’ in his famous lament, Nymphes des bois, which he wrote on the death of his admired master. Ockeghem’s total output was not very great, but it was of superior quality. He was unequalled in his mastery of the most complex contrapuntal techniques, but nowhere does this ‘hidden learnedness’ hinder the beauty, the melodic and harmonic richness of his music. Between Ockeghem and Divitis there was a span of over 70 years of polyphonic music making at the French court. Ockeghem was the central figure who imprinted his indelible stamp on music making in France, which was dominated by composers from the Southern Low Countries until far into the 16th century. Guillaume Dufay and Burgundy The Burgundian dukes were fond of music and also prepared to pay for it. Thanks to their support Flemish polyphony was able to flourish, especially in the Southern Low Countries where the rulers of the day liked to stay, as in Bruges for example. It is clear that the stylistic innovations of the first generation of Flemish polyphonists, Guillaume Dufay and Gilles Binchois, did not pass unnoticed by their contemporaries. This representative selection of secular and spiritual works by composers who were closely associated with the Burgundian dukes, but who often also had an international career, clearly demonstrates the exceptional flexibility of the first generations of Flemish polyphonistst who set the norm for most genres of polyphonic music until the end of the 16th century.

Track listing
CD 1 - Adriaan Willaert and Italy | |||
1 | Canzona alle Francese | 02:24 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Giovanni de Macque (1548/50-1614)' | |||
2 | Ave virga | 05:47 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Adriaen Willaert (c.1490-1562)' | |||
3 | Lauda Ierusalem | 04:50 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Adriaen Willaert (c.1490-1562)' | |||
4 | Signor mio caro | 03:16 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Cypriano de Rore (c.1515-1565)' | |||
5 | Schit'arbuscel | 03:37 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Cypriano de Rore (c.1515-1565)' | |||
6 | Douleur me bat | 03:08 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Adriaen Willaert (c.1490-1562)' | |||
7 | Vecchie letrose | 02:26 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Adriaen Willaert (c.1490-1562)' | |||
8 | Saule, Saule | 03:21 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Giaches de Wert (1535-1596)' | |||
9 | Egressus Iesus | 05:04 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Giaches de Wert (1535-1596)' | |||
10 | Capriccio sopra re fa mi sol | 05:29 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Giovanni de Macque (1548/50-1614)' | |||
11 | Giunto alla tomba | 05:09 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Giaches de Wert (1535-1596)' | |||
12 | Tu canti | 04:01 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Giaches de Wert (1535-1596)' | |||
13 | Quante volte diss'io | 03:03 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Adriaen Willaert (c.1490-1562)' | |||
14 | Mia benigna fortuna | 03:34 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Cypriano de Rore (c.1515-1565)' | |||
15 | Vous sçavez bien | 01:44 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Cypriano de Rore (c.1515-1565)' | |||
16 | Canzona 2 | 03:24 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Giovanni de Macque (1548/50-1614)' | |||
17 | Frates, scitote | 03:53 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Cypriano de Rore (c.1515-1565)' | |||
18 | Amen, amen dico vobis | 04:53 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Giaches de Wert (1535-1596)' | |||
19 | Vox clamantis | 03:21 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Giaches de Wert (1535-1596)' | |||
20 | Agimus tibi gratias | 01:48 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Cypriano de Rore (c.1515-1565)' | |||
CD 2 - Philippe Rogier and Spain | |||
1 | Missa Philippus II, Kyrie | 03:36 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippe Rogier (c.1561-1596)' | |||
2 | Asperges me | 03:53 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Georges de la Hèle (1547-1586)' | |||
3 | Mais voyez | 03:09 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Georges de la Hèle (1547-1586)' | |||
4 | Je prens en gré la dure mort | 03:21 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Gerard van Turnhout (c.1520-1580)' | |||
5 | Jouÿsance vous donneray | 03:22 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Gerard van Turnhout (c.1520-1580)' | |||
6 | Petit Jacquet | 01:19 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Pierre de Manchicourt (c.1510-1564)' | |||
7 | Celle qui a facheulx mari | 01:32 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Pierre de Manchicourt (c.1510-1564)' | |||
8 | Du fond de ma pensee | 03:52 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Pierre de Manchicourt (c.1510-1564)' | |||
9 | Vidi speciosam | 05:27 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Pierre de Manchicourt (c.1510-1564)' | |||
10 | Regina caeli | 02:47 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippe Rogier (c.1561-1596)' | |||
11 | Heu mihi, Domine | 03:04 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippe Rogier (c.1561-1596)' | |||
12 | Amour et la beauté | 02:12 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippe Rogier (c.1561-1596)' | |||
13 | Lëal amour | 02:12 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippe Rogier (c.1561-1596)' | |||
14 | Digamos | 05:26 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Mateo Romero (c.1575-1647)' | |||
15 | A la dulce risa | 03:53 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Mateo Romero (c.1575-1647)' | |||
16 | Libera me, Domine | 04:26 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Mateo Romero (c.1575-1647)' | |||
17 | Laudate Dominum | 03:57 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippe Rogier (c.1561-1596)' | |||
18 | Missa Philippus II, Agnus Dei | 02:43 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippe Rogier (c.1561-1596)' | |||
CD 3 - Orlandus Lassus | |||
1 | Magnificat octavi toni | 04:59 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
2 | Ad Dominum | 04:17 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
3 | Omnium deliciarum | 01:56 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
4 | Canzon, la doglia e'l pianto | 02:22 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
5 | No giorno t'haggio havere | 02:56 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
6 | La nuit froide et sombre | 01:50 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
7 | Il estoit une religïeuse | 03:37 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
8 | Timor et tremor | 03:41 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
9 | In hora ultima | 02:04 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
10 | Deus, qui, sedes | 02:37 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
11 | Susanne un jour (G. Bassano) | 03:54 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
12 | Il grave de l'età | 03:27 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
13 | Passan vostri triomphi | 02:07 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
14 | S'io fusse ciaul'et tu | 01:12 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
15 | O vin en vigne | 01:44 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
16 | Der Wein der schmeckt | 03:07 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Ivo de Vento (1543/45-1575)' | |||
17 | Vidi aquam | 03:59 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Johannes de Fossa (c.1540-1603)' | |||
18 | Hola, Caron | 02:40 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
19 | Aus tiefer Not schrei ich zu dir | 02:25 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Balduin Hoyoul (1547/8-1594)' | |||
20 | Veni, Sancte Spiritus | 02:36 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
21 | Respicit Dominus | 01:57 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Orlandus Lassus (1532-1594)' | |||
CD 4 - 16th Century Songs and Dances from Flanders | |||
1 | Pavane-Gaillarde "La Donna" | 09:14 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Tielman Susato (c.1510/15-c.1570)' | |||
2 | Druck en verdriet | 03:27 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: ' Anonymus' | |||
3 | Wie sach oit | 02:43 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: ' Anonymus' | |||
4 | Pavane-Gaillarde-Ronde "Mille Ducas" | 12:49 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Tielman Susato (c.1510/15-c.1570)' | |||
5 | Mins liefkens bruin oghen | 02:20 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Jheronimus Venders (working 1510-1550)' | |||
6 | Basse Dance "Dont vient cela" Reprise | 02:36 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Tielman Susato (c.1510/15-c.1570)' | |||
7 | Mijn hert altijt heeft verlanghen | 04:48 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Pierre de la Rue (c.1452-1518)' | |||
8 | Roepen, bidden | 04:33 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Clemens Non Papa (c.1510-1555/56)' | |||
9 | Pavane sur la bataille-Gaillarde sur la bataille-Premier branle de la guerre-Branle (de la guerre) | 07:13 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Pierre Phalèse c.1510-1575)' | |||
10 | Mij heeft een piperken dagh ghestelt | 02:02 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: ' Anonymus' | |||
11 | Noch weet ick een schoen ioffrau | 02:08 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Nicolas Liégois (c.1480-1533)' | |||
12 | Noch weet ick (...) (instr.) | 02:15 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Nicolas Liégois (c.1480-1533)' | |||
13 | Pavane de garde-Gaillarde de garde-Volte | 04:47 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Pierre Phalèse c.1510-1575)' | |||
14 | Tsou een meysken gaen om wijn | 02:48 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: ' Anonymus' | |||
15 | 'T meisken was jonck | 01:07 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Heinrich Isaac (c.1450-1517)' | |||
16 | Almande-Alemande Courrante-Gaillarde au joly boys | 04:57 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Pierre Phalèse c.1510-1575)' | |||
17 | Wilt doch belijen | 04:55 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Cornelis Boscoop (c.1525/31-1573)' | |||
18 | Ghequetst ben ic van binnen | 03:48 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Ludovicus Episcopius (c.1520-1595)' | |||
19 | Branle de Bourgoigne-Branle de Champaigne-Branle 6-Ungaresca-Saltarello | 04:18 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Pierre Phalèse c.1510-1575)' | |||
CD 5 - Philippus de Monte and the Habsburgers | |||
1 | O suavitas et dulcedo | 04:19 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippus de Monte (1521-1603)' | |||
2 | Benedictus Deus | 05:52 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippus de Monte (1521-1603)' | |||
3 | O quam gloriosum est regnum | 04:16 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Jacobus Vaet (c.1529-1567)' | |||
4 | Salve Regina | 06:43 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Jacobus Vaet (c.1529-1567)' | |||
5 | O Domine, multi dicunt | 03:14 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Alexander Utendal (c.1543-1581)' | |||
6 | Adesto, dolori meo | 03:42 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Alexander Utendal (c.1543-1581)' | |||
7 | Wie soll ein Herz | 01:42 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Alexander Utendal (c.1543-1581)' | |||
8 | Litania Deiparae Virginis Mariae | 09:17 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Jacob Regnart (1545-1599)' | |||
9 | Fu preda d'empio Nume | 02:04 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippus de Monte (1521-1603)' | |||
10 | Assai fervida Amante | 02:14 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippus de Monte (1521-1603)' | |||
11 | Lagrimose mie luci | 02:23 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippus de Monte (1521-1603)' | |||
12 | Io parto o mio fedele | 02:14 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippus de Monte (1521-1603)' | |||
13 | Le premier jour du mois de may | 01:44 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippus de Monte (1521-1603)' | |||
14 | So drincken wir alle | 02:28 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Arnold von Bruck (c.1500-1554)' | |||
15 | Christ der ist erstanden | 02:31 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Arnold von Bruck (c.1500-1554)' | |||
16 | Super flumina Babylonis | 04:00 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippus de Monte (1521-1603)' | |||
17 | Canzona | 01:59 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Carolus Luython (1557-1620)' | |||
18 | Clamavi de tribulatione mea | 03:34 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippus de Monte (1521-1603)' | |||
19 | Domini est terra | 04:15 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippus de Monte (1521-1603)' | |||
20 | Usquequo, Domine, oblivisceris me? | 04:41 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Philippus de Monte (1521-1603)' | |||
21 | Hodie Christus natus est | 02:41 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Lambert de Sayve (1549/49-1614)' | |||
CD 6 - Nicolaas Gombert and the court of Charles V | |||
1 | Alleluia, Spiritus Domini | 05:54 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Nicolaas Gombert (c.1495-1560)' | |||
2 | Dum complerentur dies Pentecostes | 05:16 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Clemens non Papa (c.1510-1555/56)' | |||
3 | Factus est repente | 03:54 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Thomas Crecquillon (1505/15-1557)' | |||
4 | Veni, Creator Spiritus | 04:42 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Thomas Crecquillon (1505/15-1557)' | |||
5 | Triste depart | 02:08 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Nicolaas Gombert (c.1495-1560)' | |||
6 | Plaisir n'ay plus | 01:32 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Nicolaas Gombert (c.1495-1560)' | |||
7 | Blaison du laid tetin | 03:52 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Clemens non Papa (c.1510-1555/56)' | |||
8 | Au joly bois | 01:32 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Clemens non Papa (c.1510-1555/56)' | |||
9 | Jaquin Jaquet | 01:30 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Clemens non Papa (c.1510-1555/56)' | |||
10 | Amour au cueur | 01:49 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Clemens non Papa (c.1510-1555/56)' | |||
11 | Hortens-Lutens-Hortens | 02:39 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Clemens non Papa (c.1510-1555/56)' | |||
12 | Forbons | 01:53 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Clemens non Papa (c.1510-1555/56)' | |||
13 | Ad te levavi | 05:11 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Nicolaas Gombert (c.1495-1560)' | |||
14 | Regina caeli | 05:21 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Nicolaas Gombert (c.1495-1560)' | |||
15 | Tota pulchra es | 02:46 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Nicolaas Gombert (c.1495-1560)' | |||
16 | Crainte et espoir m'oppressent | 02:19 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Thomas Crecquillon (1505/15-1557)' | |||
17 | Pout ung plaisir | 01:13 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Thomas Crecquillon (1505/15-1557)' | |||
18 | Prestés moy l'ung de ces yeulx | 01:57 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Thomas Crecquillon (1505/15-1557)' | |||
19 | Las, je cognois | 02:22 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Thomas Crecquillon (1505/15-1557)' | |||
20 | Ung gay bergier | 03:16 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Thomas Crecquillon (1505/15-1557)' | |||
21 | Pis ne me peut venir | 01:36 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Thomas Crecquillon (1505/15-1557)' | |||
22 | Missa Pis ne me peut venir. Kyrie-Gloria-Sanctus | 08:31 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Thomas Crecquillon (1505/15-1557)' | |||
CD 7 - Isaac, Obrecht, de la Rue | |||
1 | Salve Regina | 08:10 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Jacob Obrecht (c.1457/8-1505)' | |||
2 | In Gottes Namen | 01:49 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Heinrich Isaac (c.1450-1517)' | |||
3 | In meinem Sinn | 02:19 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Heinrich Isaac (c.1450-1517)' | |||
4 | Ach, was will doch mein Herz | 04:09 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Heinrich Isaac (c.1450-1517)' | |||
5 | Alla battaglia | 04:47 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Heinrich Isaac (c.1450-1517)' | |||
6 | Mon père m'a donné mari | 02:50 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Heinrich Isaac (c.1450-1517)' | |||
7 | Es wollt ein Maegdlein grasen gahn | 02:31 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Heinrich Isaac (c.1450-1517)' | |||
8 | Il viendra le jour désiré | 04:00 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Pierre de la Rue (c.1452-1518)' | |||
9 | Autant en emporte le vent | 02:08 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Pierre de la Rue (c.1452-1518)' | |||
10 | Fors seulement | 03:13 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Pierre de la Rue (c.1452-1518)' | |||
11 | Laudate Dominum, omnes gentes | 03:22 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Pierre de la Rue (c.1452-1518)' | |||
12 | Beata es, Maria | 05:33 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Jacob Obrecht (c.1457/8-1505)' | |||
13 | Parce, Domine | 03:18 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Jacob Obrecht (c.1457/8-1505)' | |||
14 | Den haghel ende die calde snee | 01:46 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Jacob Obrecht (c.1457/8-1505)' | |||
15 | Weet ghy wat minder jonghen herten deert | 02:23 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Jacob Obrecht (c.1457/8-1505)' | |||
16 | Als al de weerelt in vruechden leeft | 02:04 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Jacob Obrecht (c.1457/8-1505)' | |||
17 | Rorate, caeli | 04:23 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Heinrich Isaac (c.1450-1517)' | |||
18 | Virgo prudentissima | 10:31 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Heinrich Isaac (c.1450-1517)' | |||
CD 8 - Josquin des Prez | |||
1 | Douleur me bat | 02:55 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
2 | Plusieurs regretz | 02:25 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
3 | Fortune destrange plummaige | 01:38 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
4 | Ile fantazies de Joskin | 02:26 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
5 | O virgo prudentissima | 05:44 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
6 | Domine ne in furore | 07:53 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
7 | Si j'avoye Marion | 01:40 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
8 | Je ne me puis tenir d'aimer | 02:44 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
9 | Allegez moy | 03:49 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
10 | Entré je suis en grant pensée | 01:19 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
11 | Faulte d'argent | 02:23 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
12 | Adieu mes amours (lute) | 02:40 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
13 | Adieu mes amours (choir) | 03:44 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
14 | Cueurs desolez par toute nation | 01:52 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
15 | A l'eure | 01:33 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
16 | Absolve quaesumus | 06:32 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
17 | Mirabilia testimonia tua | 09:47 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Josquin Des Prez (c.1450-1521)' | |||
CD 9 - Johannes Ockeghem and France | |||
1 | Magnificat | 10:02 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Loyset Compère (c.1445-1518)' | |||
2 | Alma redemptoris mater | 04:33 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Johannes Ockeghem (c.1410/20-1497)' | |||
3 | Ma bouche rit | 04:44 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Johannes Ockeghem (c.1410/20-1497)' | |||
4 | Petite camusette | 04:28 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Johannes Ockeghem (c.1410/20-1497)' | |||
5 | Per lignum | 03:03 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Antonius Divitis (c.1470-c.1530)' | |||
6 | Salve regina | 02:55 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Antonius Divitis (c.1470-c.1530)' | |||
7 | Gaude prole regia | 06:46 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Loyset Compère (c.1445-1518)' | |||
8 | Vous me faites morir | 04:10 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Loyset Compère (c.1445-1518)' | |||
9 | Je suis amie du fourrier | 01:55 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Loyset Compère (c.1445-1518)' | |||
10 | Scaramella fa la galla | 01:55 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Loyset Compère (c.1445-1518)' | |||
11 | Elle l'a pris | 06:26 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Johannes Prioris (c.1460-c.1514)' | |||
12 | Zain. Re'cordata est Ierusalem | 07:42 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Antoine de Févin (c.1470-1511/12)' | |||
13 | Omnium bonorum plena | 09:55 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Loyset Compère (c.1445-1518)' | |||
14 | Credo (Missa Fors seulement) | 07:40 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Johannes Ockeghem (c.1410/20-1497)' | |||
CD 10 - Guillaume Dufay and Burgundy | |||
1 | Veni Sancte Spiritus | 03:53 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Guillaume Dufay (c.1400-1474)' | |||
2 | Salve flos Tuscae gentis | 05:13 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Guillaume Dufay (c.1400-1474)' | |||
3 | Mirandas parit | 03:34 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Guillaume Dufay (c.1400-1474)' | |||
4 | La belle se siet | 03:15 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Guillaume Dufay (c.1400-1474)' | |||
5 | Gloria in excelsis | 05:41 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Guillaume Dufay (c.1400-1474)' | |||
6 | Anima mea liquefacta est | 04:22 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Antoine Busnois (c.1430-1492)' | |||
7 | Amours nous traitte honnestement | 01:43 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Antoine Busnois (c.1430-1492)' | |||
8 | Anthoni usque limina | 06:02 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Antoine Busnois (c.1430-1492)' | |||
9 | Triste plaisir et douloureuse joye | 02:12 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Gilles Binchois (c.1400-1460)' | |||
10 | Amours merchi | 01:43 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Gilles Binchois (c.1400-1460)' | |||
11 | Asperges me | 03:09 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Gilles Binchois (c.1400-1460)' | |||
12 | Manificat | 10:04 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Alexander Agricola (1446-1506)' | |||
13 | Ave domina sancta Maria | 03:33 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Alexander Agricola (1446-1506)' | |||
14 | De tous bien plaine | 01:26 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Alexander Agricola (1446-1506)' | |||
15 | Amor che sospirar | 02:47 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Alexander Agricola (1446-1506)' | |||
16 | Fortuna desperata | 02:50 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Alexander Agricola (1446-1506)' | |||
17 | Regina caeli | 03:29 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Alexander Agricola (1446-1506)' | |||
18 | Invidia nimica | 03:29 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Guillaume Dufay (c.1400-1474)' | |||
19 | Hé, compaignons | 02:50 | |
artists: 'Capella Sancti Michaelis' ' Currende Consort' 'Erik Van Nevel' composers: 'Guillaume Dufay (c.1400-1474)' |